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Chin's exploration of East-to-West cultural assimilation carries harsh politicalovertones. In her "How I Got That Name: An Essay on Assimilation" from her 1994collection she writes of her father'sseduction by Western culture and values: a "petty thug," he "obsessed witha bombshell blonde/transliterated 'Mei Ling' to 'Marilyn,"' thus dooming hisdark-haired daughter to bear for life the name of "some tragic white woman/swollenwith gin and Nembutal." Other verses reflect upon the scars borne by diverse AsianAmericans, including women whose value as a human being has been reduced to their noveltyas a sex object ("Homage to Diana Toy") or even of the second-generation ofAsian Americans about whom Chin writes in "I'm Ten, Have Lots of Friends, and Don'tCare," included in her first collection of verse, 1987's .

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appears to me, as an Indigenous woman, as an essay on assimilation into Wudjula society